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Présentation
À partir de l’étude de George Anglade (1944 – 2010), nous souhaitons démontrer que la lodyans qui confie à l’oralité le moteur de la littérature, constitue un des fondements de la littérature haïtienne. Elle se définit comme une pratique discursive déployant un véritable art narratif. Non réductible à aucun autre genre, la lodyans, affirme Anglade, de par son originalité et les composantes qui la régissent, est un romanesque de haut niveau. L’objectif de notre recherche sera de prouver que la lodyans, cet art de la voix, est un genre classique.
Our research seeks to explore lodyans (in Creole) or “l’audience” (in French) as a literary genre. Lodyans can be described as the art of telling stories. Hughes St. Fort in his review of Haitian laughter written by Georges Anglade, describes it as follow: "The lodyans is a uniquely Haitian literary genre whose roots are found in the deepest soil of Haitian culture, at the same level as Haitian Creole language and Haitian vodou. The person who tells the lodyans or stories is known as a lodyanseur". From 1905 to present, many Haitian writers have been using loydyans as a background for their literary works. Among them we cite the following: Justin Lhérisson, Fernand Hibbert, Réne Depestre, Maurice Sixto, Georges Anglade and Gary Victor. Based on the works of these lodyanseurs, and the critique of Bakhtin, we wish to prove that lodyans is a classical genre.
Our research seeks to explore lodyans (in Creole) or “l’audience” (in French) as a literary genre. Lodyans can be described as the art of telling stories. Hughes St. Fort in his review of Haitian laughter written by Georges Anglade, describes it as follow: "The lodyans is a uniquely Haitian literary genre whose roots are found in the deepest soil of Haitian culture, at the same level as Haitian Creole language and Haitian vodou. The person who tells the lodyans or stories is known as a lodyanseur". From 1905 to present, many Haitian writers have been using loydyans as a background for their literary works. Among them we cite the following: Justin Lhérisson, Fernand Hibbert, Réne Depestre, Maurice Sixto, Georges Anglade and Gary Victor. Based on the works of these lodyanseurs, and the critique of Bakhtin, we wish to prove that lodyans is a classical genre.
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